Helen Edmundson: The Clearing
The creator team of the Notebook having a big success last year returns into the Katlan!
Ireland, 1652. The British Parliament accepts the most cruel order of its history, the law entitled “In hell or to Connaught” . The Irish inhabitants – man, woman, children also – are cast away to one of the islands most deserted territory, others get tied up, put on a boat and sent across the sea. The resisters are executed. British soldiers get six pounds for every shot wolf and every head of Irish rebel.
A girl is more afraid of people than wolfs. On Christmas Eve she gets caught too. Yellow, threatening eyes in the woods. They are watching. Waiting. In a room a baby cries. Dad is a British lord, Mom is Irish. In a village nearby people are crawling on the ground, trying to get some strength from the bones dogged out. Catholic priest are hanging along the road. A married couple’s love turns to hatred. Mist and darkness. A clearing in the woods. Woman and man are standing face to face, they are not mother and father anymore. The forest moves behind their backs. Wolfs? Humans?
The British playwright, Helen Edmunson (1964) is well-known of her adaptations and classical transcriptions. Her plays are regularly played on stages all over Great-Britain. The owner of several prizes, for The clearing she got the John Whiting prize and the Time Out prize.
Cast: Máté Andrássy, László Fehér, Nóra Földeáki, József Kádas, Csaba Krisztik, Norbert Nagy, Bernadett Ostorházi, Márton Pallag, Gizella Zarnóczai
Director: Csaba Horváth
Music: Csaba Ökrös
Ireland, 1652. The British Parliament accepts the most cruel order of its history, the law entitled “In hell or to Connaught” . The Irish inhabitants – man, woman, children also – are cast away to one of the islands most deserted territory, others get tied up, put on a boat and sent across the sea. The resisters are executed. British soldiers get six pounds for every shot wolf and every head of Irish rebel.
A girl is more afraid of people than wolfs. On Christmas Eve she gets caught too. Yellow, threatening eyes in the woods. They are watching. Waiting. In a room a baby cries. Dad is a British lord, Mom is Irish. In a village nearby people are crawling on the ground, trying to get some strength from the bones dogged out. Catholic priest are hanging along the road. A married couple’s love turns to hatred. Mist and darkness. A clearing in the woods. Woman and man are standing face to face, they are not mother and father anymore. The forest moves behind their backs. Wolfs? Humans?
The British playwright, Helen Edmunson (1964) is well-known of her adaptations and classical transcriptions. Her plays are regularly played on stages all over Great-Britain. The owner of several prizes, for The clearing she got the John Whiting prize and the Time Out prize.
Cast: Máté Andrássy, László Fehér, Nóra Földeáki, József Kádas, Csaba Krisztik, Norbert Nagy, Bernadett Ostorházi, Márton Pallag, Gizella Zarnóczai
Director: Csaba Horváth
Music: Csaba Ökrös